Ultra Red is an international political sound art collective, formed in 1994 and active in Europe and North America. Ultra Red has worked within and across a widely distributed network of communities organized around public housing, health, education, queer, anti-racism, and migration.
Ultra Red is an international political sound art collective, formed in 1994 and active in Europe and North America. Ultra Red has worked within and across a widely distributed network of communities organized around public housing, health, education, queer, anti-racism, and migration.
Meeting with Chris Jones and Elliot Perkins - members of the Ultra-red collective
Ultra Red is an international political sound art collective, formed in 1994 and active in Europe and North America. Ultra Red has worked within and across a widely distributed network of communities organized around public housing, health, education, queer, anti-racism, and migration
This year is 50th anniversary of the great revolutionary rebellion of students, youths and workers, which passed through the streets of Europe, Mexico, Jamaica and America.
In the aftermath of a political event, visual documentation gets lost in the midst of an overwhelming archive. The documents become historical, when the evidence is no longer urgent or momentary and its impact is secondary.
Ultra Red is an international political sound art collective, formed in 1994 and active in Europe and North America. Ultra Red has worked within and across a widely distributed network of communities organized around public housing, health, education, queer, anti-racism, and migration
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
Along with Cyryl Zakrzewski — a Poznań-based carpenter and sculptor— we will build architecture for conceiving, planning and making a revolution, making use solely of materials encountered in the gallery’s basement and nooks and corners.
With Decolonizing 68 we would like to question the production of history and to (re)tell the movements of that time from the perspectives of anti-colonial, diasporic-feminist and black organizations. The civil rights movement in the United States, as well as the liberation movements and the process of decolonization in the former colonies, were an inspiration for POC activists in Europe in and around 1968.
Ultra Red is an international political sound art collective, formed in 1994 and active in Europe and North America. Ultra Red has worked within and across a widely distributed network of communities organized around public housing, health, education, queer, anti-racism, and migration
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
Ultra Red is an international political sound art collective, formed in 1994 and active in Europe and North America. Ultra Red has worked within and across a widely distributed network of communities organized around public housing, health, education, queer, anti-racism, and migration
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
Ultra Red is an international political sound art collective, formed in 1994 and active in Europe and North America. Ultra Red has worked within and across a widely distributed network of communities organized around public housing, health, education, queer, anti-racism, and migration
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
Editors of Czas Kultury quarterly announce a series of meetings under the umbrella title Revolutionary Readings. The idea is very simple and involves reading (together, aloud, in a group) excerpts of texts with a revolutionary potential and then putting the texts and their readings to all kinds of tests.
The Polish May exhibition is an attempt to breathe the spirit of a revolution into the Polish context. The May in the title is synonymous with moral re-evaluations. The title perversely evokes the Polish national context, although the exhibition presents films from Germany and Egypt, i.e. countries where revolutions, though with different long-term effects, have nevertheless taken place.
Abschied von gestern is the first full feature movie in the oeuvre of the German director, writer, script author, and TV producer Alexander Kluge. Abschied von gestern was shot in 1966. It reflects perfectly well the alienation and dissatisfaction of the generation growing up after World War II.
Ultra Red is an international political sound art collective, formed in 1994 and active in Europe and North America. Ultra Red has worked within and across a widely distributed network of communities organized around public housing, health, education, queer, anti-racism, and migration
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
Editors of Czas Kultury quarterly announce a series of meetings under the umbrella title Revolutionary Readings. The idea is very simple and involves reading (together, aloud, in a group) excerpts of texts with a revolutionary potential and then putting the texts and their readings to all kinds of tests.
The Polish May exhibition is an attempt to breathe the spirit of a revolution into the Polish context. The May in the title is synonymous with moral re-evaluations. The title perversely evokes the Polish national context, although the exhibition presents films from Germany and Egypt, i.e. countries where revolutions, though with different long-term effects, have nevertheless taken place.
A film collage which mixes documentation of contemporary protests with archival prints of past revolutions, presented as a part of the exhibition "Polish May".
Installation of Jasmina Metwaly as a part of the exhibition "Polish May"
Ultra Red is an international political sound art collective, formed in 1994 and active in Europe and North America. Ultra Red has worked within and across a widely distributed network of communities organized around public housing, health, education, queer, anti-racism, and migration
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
Editors of Czas Kultury quarterly announce a series of meetings under the umbrella title Revolutionary Readings. The idea is very simple and involves reading (together, aloud, in a group) excerpts of texts with a revolutionary potential and then putting the texts and their readings to all kinds of tests.
The Polish May exhibition is an attempt to breathe the spirit of a revolution into the Polish context. The May in the title is synonymous with moral re-evaluations. The title perversely evokes the Polish national context, although the exhibition presents films from Germany and Egypt, i.e. countries where revolutions, though with different long-term effects, have nevertheless taken place.
A film collage which mixes documentation of contemporary protests with archival prints of past revolutions, presented as a part of the exhibition "Polish May".
Installation of Jasmina Metwaly as a part of the exhibition "Polish May"
Abschied von gestern is the first full feature movie in the oeuvre of the German director, writer, script author, and TV producer Alexander Kluge. Abschied von gestern was shot in 1966. It reflects perfectly well the alienation and dissatisfaction of the generation growing up after World War II
Ultra Red is an international political sound art collective, formed in 1994 and active in Europe and North America. Ultra Red has worked within and across a widely distributed network of communities organized around public housing, health, education, queer, anti-racism, and migration
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
Editors of Czas Kultury quarterly announce a series of meetings under the umbrella title Revolutionary Readings. The idea is very simple and involves reading (together, aloud, in a group) excerpts of texts with a revolutionary potential and then putting the texts and their readings to all kinds of tests.
The Polish May exhibition is an attempt to breathe the spirit of a revolution into the Polish context. The May in the title is synonymous with moral re-evaluations. The title perversely evokes the Polish national context, although the exhibition presents films from Germany and Egypt, i.e. countries where revolutions, though with different long-term effects, have nevertheless taken place.
A film collage which mixes documentation of contemporary protests with archival prints of past revolutions, presented as a part of the exhibition "Polish May".
Installation of Jasmina Metwaly as a part of the exhibition "Polish May"
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
Editors of Czas Kultury quarterly announce a series of meetings under the umbrella title Revolutionary Readings. The idea is very simple and involves reading (together, aloud, in a group) excerpts of texts with a revolutionary potential and then putting the texts and their readings to all kinds of tests.
The Polish May exhibition is an attempt to breathe the spirit of a revolution into the Polish context. The May in the title is synonymous with moral re-evaluations. The title perversely evokes the Polish national context, although the exhibition presents films from Germany and Egypt, i.e. countries where revolutions, though with different long-term effects, have nevertheless taken place.
A film collage which mixes documentation of contemporary protests with archival prints of past revolutions, presented as a part of the exhibition "Polish May".
Installation of Jasmina Metwaly as a part of the exhibition "Polish May"
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
The Polish May exhibition is an attempt to breathe the spirit of a revolution into the Polish context. The May in the title is synonymous with moral re-evaluations. The title perversely evokes the Polish national context, although the exhibition presents films from Germany and Egypt, i.e. countries where revolutions, though with different long-term effects, have nevertheless taken place.
A film collage which mixes documentation of contemporary protests with archival prints of past revolutions, presented as a part of the exhibition "Polish May".
Installation of Jasmina Metwaly as a part of the exhibition "Polish May"
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
The Polish May exhibition is an attempt to breathe the spirit of a revolution into the Polish context. The May in the title is synonymous with moral re-evaluations. The title perversely evokes the Polish national context, although the exhibition presents films from Germany and Egypt, i.e. countries where revolutions, though with different long-term effects, have nevertheless taken place.
A film collage which mixes documentation of contemporary protests with archival prints of past revolutions, presented as a part of the exhibition "Polish May".
Installation of Jasmina Metwaly as a part of the exhibition "Polish May"
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
The Polish May exhibition is an attempt to breathe the spirit of a revolution into the Polish context. The May in the title is synonymous with moral re-evaluations. The title perversely evokes the Polish national context, although the exhibition presents films from Germany and Egypt, i.e. countries where revolutions, though with different long-term effects, have nevertheless taken place.
A film collage which mixes documentation of contemporary protests with archival prints of past revolutions, presented as a part of the exhibition "Polish May".
Installation of Jasmina Metwaly as a part of the exhibition "Polish May"
The laboratory will be made up of intensive meetings to share, create, research, and develop bio-exploration processes and technologies, in particular applied to the diagnosis of health under the DIY / DIWO / DITO philosophy, extreme own-body cognition, recovering body territories and gynecological, proctological and prostatic procedures, through decolonizing the anatomy of pleasure and the creation of tools and appropriation of laboratory technologies both at a technical and interpretative level, unveil taboos with DIY biolab techniques, DIT science & medical hacks reverse engineering.
bschied von gestern is the first full feature movie in the oeuvre of the German director, writer, script author, and TV producer Alexander Kluge. Abschied von gestern was shot in 1966. It reflects perfectly well the alienation and dissatisfaction of the generation growing up after World War II.
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
The Polish May exhibition is an attempt to breathe the spirit of a revolution into the Polish context. The May in the title is synonymous with moral re-evaluations. The title perversely evokes the Polish national context, although the exhibition presents films from Germany and Egypt, i.e. countries where revolutions, though with different long-term effects, have nevertheless taken place.
A film collage which mixes documentation of contemporary protests with archival prints of past revolutions, presented as a part of the exhibition "Polish May".
Installation of Jasmina Metwaly as a part of the exhibition "Polish May"
The laboratory will be made up of intensive meetings to share, create, research, and develop bio-exploration processes and technologies, in particular applied to the diagnosis of health under the DIY / DIWO / DITO philosophy, extreme own-body cognition, recovering body territories and gynecological, proctological and prostatic procedures, through decolonizing the anatomy of pleasure and the creation of tools and appropriation of laboratory technologies both at a technical and interpretative level, unveil taboos with DIY biolab techniques, DIT science & medical hacks reverse engineering.
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
The Polish May exhibition is an attempt to breathe the spirit of a revolution into the Polish context. The May in the title is synonymous with moral re-evaluations. The title perversely evokes the Polish national context, although the exhibition presents films from Germany and Egypt, i.e. countries where revolutions, though with different long-term effects, have nevertheless taken place.
A film collage which mixes documentation of contemporary protests with archival prints of past revolutions, presented as a part of the exhibition "Polish May".
Installation of Jasmina Metwaly as a part of the exhibition "Polish May"
The laboratory will be made up of intensive meetings to share, create, research, and develop bio-exploration processes and technologies, in particular applied to the diagnosis of health under the DIY / DIWO / DITO philosophy, extreme own-body cognition, recovering body territories and gynecological, proctological and prostatic procedures, through decolonizing the anatomy of pleasure and the creation of tools and appropriation of laboratory technologies both at a technical and interpretative level, unveil taboos with DIY biolab techniques, DIT science & medical hacks reverse engineering.
An open presentation of the Gyne Punk collective and the effects of two days workshops at the Arsenal Municipal Gallery
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
The Polish May exhibition is an attempt to breathe the spirit of a revolution into the Polish context. The May in the title is synonymous with moral re-evaluations. The title perversely evokes the Polish national context, although the exhibition presents films from Germany and Egypt, i.e. countries where revolutions, though with different long-term effects, have nevertheless taken place.
A film collage which mixes documentation of contemporary protests with archival prints of past revolutions, presented as a part of the exhibition "Polish May".
Installation of Jasmina Metwaly as a part of the exhibition "Polish May"
The Army of Love is a project of diverse practitioners that aim for an intimate completion of justice. It’s because even in a society where there is access to basic needs, commodities, and structures, attractiveness is not distributed equally, often leaving out those considered to be old, ugly or unsuccessful.
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
The Polish May exhibition is an attempt to breathe the spirit of a revolution into the Polish context. The May in the title is synonymous with moral re-evaluations. The title perversely evokes the Polish national context, although the exhibition presents films from Germany and Egypt, i.e. countries where revolutions, though with different long-term effects, have nevertheless taken place.
A film collage which mixes documentation of contemporary protests with archival prints of past revolutions, presented as a part of the exhibition "Polish May".
Installation of Jasmina Metwaly as a part of the exhibition "Polish May"
The Army of Love is a project of diverse practitioners that aim for an intimate completion of justice. It’s because even in a society where there is access to basic needs, commodities, and structures, attractiveness is not distributed equally, often leaving out those considered to be old, ugly or unsuccessful.
An open presentation of the Army of Love collective and effects of the two-days workshops at the Arsenal Municipal Gallery
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
The Polish May exhibition is an attempt to breathe the spirit of a revolution into the Polish context. The May in the title is synonymous with moral re-evaluations. The title perversely evokes the Polish national context, although the exhibition presents films from Germany and Egypt, i.e. countries where revolutions, though with different long-term effects, have nevertheless taken place.
A film collage which mixes documentation of contemporary protests with archival prints of past revolutions, presented as a part of the exhibition "Polish May".
Installation of Jasmina Metwaly as a part of the exhibition "Polish May"
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
During Workshops of Revolution the Feminist Health Care Research Group establishes a Small Self-help School, which aims to retrieve practices and knowledge from the health movement
Historical farce goes on. Seventy years after the Nazi hecatomb, fascists' followers parade down Polish streets. Some of them dream of the Wunderwafel, arranging swastikas of chocolate wafers on the Führer's birthday cake.
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
During Workshops of Revolution the Feminist Health Care Research Group establishes a Small Self-help School, which aims to retrieve practices and knowledge from the health movement
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
Concerts held under the auspices of Estrada Poznańska have a unique formula – they combine sound, image and word. The artists are representatives of the Polish electronic stage. The texts are excerpts from Władysław Brzozowski, Tadeusz Boy-Żeleński and Stanisław Witkiewicz, tied with the music by the actors of the Eighth Day Theatre.
A manifessto-film by The Army of Love, screened earlier during the 9th Berlin Biennale. An introduction to the philosophy behind the collective’s activity.
Concerts held under the auspices of Estrada Poznańska have a unique formula – they combine sound, image and word. The artists are representatives of the Polish electronic stage. The texts are excerpts from Władysław Brzozowski, Tadeusz Boy-Żeleński and Stanisław Witkiewicz, tied with the music by the actors of the Eighth Day Theatre.